HISTORY MCQ SET-26- FRAMED FROM NCERT, WIKEPEDIA, SATISH CHANDRA, BIPIN CHANDRA, R.S. SHARMA
Q.1 With reference to the ancient “Thewa art” , consider the following statements : 1. It is a jewellery form with base material of gold 2. It is based on the Hindu mythology or Mughal court scenes, historical events or with flora and fauna motifs. Select the correct answer using the codes given below : A) Only 1 B) Only 2 C) Both are correct D) Both are incorrect Ans. B It is a jewellery form with base material of gold or silver Thewa is a special art of jewelry making which involves embossing of intricately worked-out sheet gold on molten glass. It evolved in Pratapgarh district, Rajasthan India. Its origin dates back to the Mughal age Thewa is a traditional art of fusing 23K Gold with multicoloured glass. The glass is treated by a special process to have glittering effects, which in turn highlights the intricate gold work. History of thewa art goes back 300- 500 years Q.2 With reference to the Kalinga architecture, which among the following temples is/are the example of the Rekha Deula type ? 1. Lingaraj temple of Bhubaneshwar 2. Konark Sun temple 3. Jagannath temple of puri Select the correct answer using the codes given below : A) Only 2 B) 2 & 3 C) Only 1 D) 1 & 3 Ans. D Kalinga architecture The prominent examples of Rekha Deula are Lingaraj Temple of Bhubaneswar and Jagannath Temple of Puri. One of the prominent example of Khakhara Deula is Vaital Deula. The Konark Sun Temple is a living example of Pidha Deula. Q.3 Servants of Indian society founded by the Gopal Krishna Gokhale. Who among the following are the members : 1. B.N. Rao 2. Alladi Krishnaswamy 3. M.C. Setalvad Select the correct answer using the codes given below : A) 1 & 3 B) Only 2 C) 2 & 3 D) 1,2,3 Ans. D *The Servants of India Society was formed in Pune, Maharashtra, on June 12, 1905 byGopal Krishna Gokhale, who left the Deccan Education Society to form this association. *Along with him were a small group of educated Indians, as Natesh Appaji Dravid, Gopal Krishna Deodhar and Anant Patwardhan who wanted to promote social and human development and overthrow the British rule in India. *The Society organized many campaigns to promote education, sanitation, health care and fight the social evils of untouchability and discrimination, alcoholism, poverty, oppression of women and domestic abuse. *The publication of The Hitavada, the organ of the Society in English from Nagpur commenced in 1911. *Prominent Indians were its members and leaders. It chose to remain away from political activities and organizations like the Indian National Congress. *The base of the Society shrank after Gokhale’s death in 1915, and in the 1920s with the rise of Mahatma Gandhi as president of Congress, who launched social reform campaigns on a mass scale throughout the nation and attracted young Indians to the cause. However, it still continues its activities albeit with a small membership. Q.4 With reference to the Warli paintings , consider the following paintings: 1. It is an art form made without any outline before painting 2. Human and animal bodies are represented by two inverse triangles joined at their tips. 3. Circle, triangle, and square are the basic geometric shapes that are employed in Warli paintings Select the correct answer using the codes given below : A) Only 2 B) 1 & 3 C) 2 & 3 D) All are correct Ans. D It is said to date back to 2500 B.C. The central motif in these paintings is surrounded by scenes portraying hunting, fishing, and farming as well as trees and animals. These rudimentary wall paintings use a set of basic geometric shapes: a circle, a triangle, and a square. These shapes are symbolic of different elements of nature. The circle and the triangle come from their observation of nature. The circle is representing the sun and the moon while the triangle is derived from mountains and pointed trees. In contrast, the square appears to be a human invention, indicating a sacred enclosure or a piece of land. The central motif in each ritual painting is the square, known as the “chalk” or “Shaukat”, mostly of two types known as Devchauk and Lagnachauk. Inside a Devchauk is usually Palaghata, the mother goddess, symbolizing fertility Male gods are unusual among the Warli and are frequently related to spirits which have taken human shape. Human and animal bodies are represented by two inverse triangles joined at their tips. The upper triangle depicts the torso and the lower triangle the pelvis. Their precarious equilibrium symbolizes the balance of the universe. Another main theme of Warli art is the denotation of a triangle that is larger at the top representing a “man” and a triangle which is wider at the bottom representing a “woman”.[4]Apart from ritualistic paintings, other Warli paintings covered day-to-day activities of the village people. – Apart from ritualistic paintings, other Warli paintings covered day-to-day activities of the village people. Q.5 With reference to the Chakiarkoothu form of dance, consider the following statements : 1.It is witnessed by the Hindus of the higher castes 2.It can be staged inside temples only 3. It is recited in a quasi-dramatic style with emphasis on facial expressions & hand gestures Select the correct answer using the codes given below : A) 1 & 3 B) Only 2 C) 1 & 2 D) 1,2,3 Ans. D This dance form is believed to have been introduced to Kerala by the early Aryan immigrants & is performed only by the members of the Chakiar caste. A highly orthodox type of entertainment, it can be staged inside temples only & witnessed by the Hindus of the higher castes. The theatre is known as Koothambalam. The story is recited in a quasi-dramatic style with emphasis on eloquent declarations with appropriately suggestive facial expressions & hand gestures. The only accompaniments are the cymbals & the drum known as the mizhavu, made of copper with